Islamic Moderate Philospphy and Abstraction in Islamic Architecture/Case Study (Islamic Decorative Elements)

Year: 
2009
Discussion Committee: 
Supervisors: 
Dr. Iman Al Amad
Dr. Haitham Arratrout
Authors: 
Hasan Mahmoud Issa Al Awawdeh
Abstract: 
This study examines the philosophy of moderation and abstract In Islamic architecture, also discuss the application of thought as a philosophy of moderation in the architecture of Islamic architecture through the analysis of the geometric units such as the decorative study through research on the architecture of thought derived from the philosophy of moderation is the methodology of those art decoration geometric units, which represent the Islamic a feature of Islamic architecture, which constitute the cultural us great architecture humanitarian stages of production. The research study, a reference to the philosophical and technical philosophy of moderation, that achieved through the collection situation between the spirit and the article, particularly in the decorative and geometric units that have been applied in the form and content in the Islamic architecture. The study aims to find a way to lay the foundations contemporary architect of that attitude, at least, stems from the contemporary flexible methodology for Islamic Thought, and thus achieving sustainability in the understanding of Islamic architecture. The research is part of architectural thinking applied in charge of the Islamic civilization project also reflects a technical and practical about the personal characteristics of the Islamic structure and the vital nature of individual collection. The study concludes that the Islamic decorative units have achieved consistent and the collection situation of the article and spirit, and has been a contingent of Islamic decorative art and the rule of which derived from the architectural elements, the artist of the plastic architectural style, which was unity and continuity as a normal life in the universe and human movement through the system, this has been reflected elements of the composition of a linear network axes of movement of the masses of architecture, within the general phenomenon of repetition is vital for the Islamic decorative art, such as flexible and reflect the dynamics and continuity towards unlimited symbolic representation of the message to go towards the Creator and others reflected imagined. The search took a series of recommendations and conclusions, which are about the philosophical depth architect, but could be about those trends and other functional as (cinema , sculpture, photography, etc., and the sense that out of these trends through the template reflects the extent of the Islamic acculturation The rapprochement between Islam and the future of his contemporary art. The focus of this research, such as a technical application, especially in Islamic architecture, and we recommend that there be diverse and in-depth studies in the areas of application and various other technical, to draft a proper understanding of Islamic civilization that is clear, power and art.
Pages Count: 
128
Status: 
Published